“御书院”还是“御画院”?——郭熙的供职情况及相关问题考辨  

“Royal Academy”or“Royal Painting Academy”?:A textual study of Guo Xi's position

作　　者：肖雪 Xiao Xue

机构地区：[1]四川师范大学艺术研究院,四川成都610068

出　　处：《南京艺术学院学报（美术与设计）》2023年第3期78-82,I0002,I0003,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：郭熙为北宋画院画家,由画院艺学升迁至画院待诏,这几乎已经成为中国古代画史的习惯性叙述。然而值得注意的是,在北宋的画史文献材料《图画见闻志》与《宣和画谱》中关于郭熙的供职之处有“御书院”与“御画院”两个地方。那么,郭熙究竟供职于哪里,以及他又官至何处待诏?对此,本文将通过对郭熙供职情况的考察,探究画史材料中出现的“御书院”“御画院”与“图画院”三者之间的关系,厘清郭熙的供职之处及其升迁历程。Guo Xi was a painter of the Painting Academy of the Northern Song Dynasty,and he was raised from an art learner to a Daizhao in the Painting Academy,such had almost become the usual narration in the ancient Chinese painting history.However,it is worth noting that there were two places about Guo Xi's work in the painting history literature materials,Tuhua Jianwen Zhi and Xuanhe Huapu in the Northern Song Dynasty:"Royal Academy"and"Royal Academy of Painting".So,where did Guo Xi work,and where is his work as Daizhao?In this regard,this article will explore the relationship between"Royal Academy","Royal Academy of Painting"and"Painting Academy"in the history of painting materials through the investigation of Guo Xi's position,and try to clarify Guo Xi's employment and promotion process.

关 键 词：御书院 御画院 图画院 学士院 翰林待诏 

分 类 号：J203[艺术—美术]