从黎族龙被看黎族与周边民族织锦技艺的交流与融合  

Viewing the exchange and integration of brocade techniques between the Li Nationality and neighboring nationalities from the perspective of the Li dragon brocade

作　　者：刘婧昳 Liu Jingyi(South-Central Minzu University,Wuhan 430074,China)

机构地区：[1]中南民族大学,湖北武汉430074

出　　处：《纺织报告》2023年第4期114-116,共3页

摘　　要：龙被作为黎族最具民族特色的手工艺品,是黎族文化的重要组成部分。作为传统织锦中的艺术珍品,其在经纬交织中展现了黎族上千年的传统文化、生活环境、审美情趣和宗教信仰,同时蕴含着丰富的历史信息和文化内涵。各民族文化的相互交融也对黎族龙被的形成和发展起到了重要的推动作用。文章从黎族龙被的织造工艺着手展开研究,对其织造材料、工序、工具和技法等方面进行分析,并探讨黎族与同源的百越族群在纺织技艺上的共同特征,其独特性与交融性为深入了解和铸牢中华民族共同体意识提供了重要参考。Dragon brocade,as the most distinctive handicraft of the Li Nationality,are an important component of Li culture.As an artistic treasure in traditional brocade,it showcases the traditional culture,living environment,aesthetic taste and religious beliefs of the Li Nationality for thousands of years through the interweaving of longitude and latitude,while also containing rich historical information and cultural connotations.The mutual integration of various ethnic cultures also played an important role in promoting the formation and development of the Li Nationality.This paper starts with the weaving process of the Li dragon brocade,analyzes its weaving materials,processes,tools,and techniques,and explores the common characteristics of the Li Nationality and the same origin of the Baiyue ethnic group in textile technology.Its uniqueness and integration provide important reference for a deepening understanding and strengthening of the Chinese national community consciousness.

关 键 词：传统纺织 黎族 龙被 民族交往、交流、交融 

分 类 号：J523[艺术—艺术设计]