博物馆媒介视域下大运河沿线民俗服饰文化的数字化传播  

Digital communication of folk costume culture along Grand Canal from the perspective of museum media

作　　者：王巧[1] Wang Qiao(School of Art,Soochow University,Suzhou 215123,China)

机构地区：[1]苏州大学艺术学院,江苏苏州215123

出　　处：《纺织报告》2023年第4期126-128,共3页

基　　金：2022年度江苏省研究生科研与实践创新计划项目—大运河线性文化遗产视域下民俗服饰的流变与传播研究(KYCX22_3175)。

摘　　要：大运河作为线性文化遗产,链接古今、沟通南北,因水运交通便利,带动了沿线服饰风尚的变革。对大运河沿线服饰文化的再现与传播是区域与时代的需求。文章采用跨学科研究方法,综合运用国际博物馆学、设计学、考古学、民俗学、历史学、传播学等多学科知识,在苏州、无锡、常州、扬州等大运河沿线服饰文化区域进行实地调研,旨在通过博物馆媒介,再现大运河线性文化遗产及沿线服饰文化基因,探究其数字化传播的路径。As a linear cultural heritage,the Grand Canal links the ancient and modern times and connects the north and south.Thanks to the convenience of water transportation,it has driven the change of costume fashion along the line.The reproduction and dissemination of costume culture along the Grand Canal is the demand of the region and the times.This paper adopts interdisciplinary research methods,comprehensively uses International Museum Science,Design,Archaeology,Folklore,History,Communication and other multi-disciplinary knowledge,and conducts field research in the clothing cultural areas along the Grand Canal in Suzhou,Wuxi,Changzhou,Yangzhou and other places.The purpose is to reproduce the linear cultural heritage of the Grand Canal and the clothing cultural genes along the canal through the museum media,and explore the path of its digital communication.

关 键 词：博物馆媒介 大运河线性文化遗产 沿线民俗服饰 数字化传播 

分 类 号：J523.5[艺术—艺术设计]