恋爱的权利、启蒙与实践——20世纪二三十年代电影院的恋爱现象  

Rights,Enlightenment and Practice of Dating:Phenomena of Dating in Cinemas in the 1920s and 1930s

作　　者：何明敏 He Mingmin

机构地区：[1]上海师范大学人文学院都市文化研究中心,上海200000

出　　处：《南开学报（哲学社会科学版）》2023年第2期59-69,共11页Nankai Journal:Philosophy,Literature and Social Science Edition

摘　　要：20世纪二三十年代,恋爱问题从新文化领域蔓延至市民大众之间,电影院的恋爱之风盛行。银幕上的爱情故事可激发观众的恋爱意识与恋爱想象,参与恋爱观、性道德的建构,教以具体的恋爱之道,从而起到恋爱启蒙的作用。黑暗的观影环境可为隐私性的恋爱行为提供一定的掩护,而其所散发的性诱惑气息,加之观影身体在与影像的互动之中更易处于一种感性状态,有助于情感的发生,于是电影院往往成为恋爱的一个实践空间。电影院的恋爱现象以及相关舆论意味着现代爱情的社会性胜利。重在彰显个体自主性的现代爱情是构成现代主体的重要维度之一。尤其对于女性观众而言,银幕上下的恋爱风景及其所昭示的现代爱情观与两性关系,有助于女性探寻一个情感自主的自我。作为异性恋爱中的一方,女性在公共空间与男性的公开交往,也有助于促进其权利意识和社会地位的提升。In the 1920s and 1930s,the issue of dating spread from new cultural fields to the general public,wherein cinema dates became increasingly popular.Here,love stories on the screen stimulated the audience's consciousness and imagination for love,which was central to the development of the concept of love and sexual morality,and taught spe-cific aspects of love and impacted a dating enlightenment.The dark viewing environment provided a degree of privacy and thus emitted an erotic atmosphere,and while the coupled movie-viewing enhanced the perceptual state of bodily in-teraction for those on dates,which thereby provided a place for those who wished to practice love.Phenomena of dating in cinemas and related public opinion implied the social victory of modern love.Modern love which demonstrated indi-vidual autonomy was a significant dimension.Particularly for female audiences,dating on and off the screen,as well as the views of modern love and sexual relationships,helped explore their emotional autonomy.As one party of dating,fe-males interacted openly with males in public places,which enhanced their consciousness of rights and social status.

关 键 词：恋爱自由 电影院 恋爱现象 

分 类 号：J909.2[艺术—电影电视艺术] K26[历史地理—历史学]