江永《三朝书》中图案研究及服装创新设计――以八角花图案为例  

A study of Patterns in Jiangyong’s Book of Three Dynasties and Innovative Clothing Design--Taking the pattern of octagonal flower as an example

作　　者：文司琪 古怡 吴苗苗 WEN Siqi;GU Yi;WU Miaomiao(School of Fashion,Wuhan Textile University,Wuhan Hubei 430073,China)

机构地区：[1]武汉纺织大学服装学院,湖北武汉430073

出　　处：《浙江纺织服装职业技术学院学报》2023年第2期16-21,共6页Journal of Zhejiang Fashion Institute of Technology

摘　　要：研究表明,不同类别“八角花”图案的内部构成不尽相同,但是都来自民间吉祥纹样,既是江永女性创造力的价值表现,也是江永女书民族文化风貌和江永女性的民族文明特质的表现。基于江永女书《三朝书》中“八角花”图案的相关文献与图像,从图案来源、构成和造型中分析“八角花”图案的艺术特征,总结“八角花”图案点线运用和构图稳定的突出特征,提取八角花图案浓厚的艺术底蕴,展示民间传统图案在现代服装创新设计中的可行性。The research shows that the internal composition of different types of octagonal flower patterns is not the same,but they all come from folk auspicious patterns,which is not only the value expression of Jiangyong women’s creativity,but also the expression of national cultural features of Jiangyong womanese and the characteristics of the national civilization of Jiangyong women.Based on the related literature and image of octagonal flower pattern in Book of Three Dynasties of Jiangyong womanese,from the design source,composition and modelling,this paper analyzes the artistic characteristic of the octagonal flower pattern,summarizes the distinctive characteristics of the use of dots and lines and the stable composition of the pattern,extracts the rich artistic heritage and demonstrates the feasibility of traditional folk patterns in modern clothing innovative design.

关 键 词：江永《三朝书》 八角花 图案构成 传统图案 服装创新设计 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]