探究“藏礼于器”在造物设计中的体现  

Explore the Embodiment of Tibetan Ritual in the Design of Creation

作　　者：顾君宜 Gu Junyi(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,330000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2023年第6期60-63,共4页Ceramics

摘　　要：中国古代礼器在实用与审美两个方面体现出了“藏礼于器”的基本设计思想。在此基础上,笔者分析了现代社会人们对于产品中“礼”文化的新需求,借鉴“藏礼于器”的设计观点,从稀有性、象征性、时代性三个方面阐述“礼”在产品设计中的表达。Ancient Chinese ritual ware embodies the basic design idea of"Tibetan ritual in vessel"in both practical and aes-thetic aspects.On this basis,this paper analyzes the new demand of people in modern society for the"rite"culture in prod-ucts,draws on the design perspective of"storing ritual in vessel",and expounds the expression of"rite"in modern product design from three aspects:rarity,symbolism and epochal.

关 键 词：礼器 产品设计 和谐 功能与审美 

分 类 号：TQ174.74[化学工程—陶瓷工业]