略论咸阳底张村十六国墓出土陶连枝灯上的佛像  

On the Buddha Iconography on the Ceramic Lotus Lamp Found in a Sixteen Kingdoms Period Tomb at Dizhang Village in Xianyang

作　　者：冉万里[1] 刘呆运 Ran Wanli;Liu Daiyun

机构地区：[1]西北大学文化遗产学院 [2]陕西省考古研究院

出　　处：《考古与文物》2023年第2期107-114,共8页Archaeology and Cultural Relics

基　　金：国家社科基金重大项目“关中地区十六国时期墓葬资料的整理与研究”(编号:21&ZD237)的阶段性成果。

摘　　要：在咸阳底张村十六国墓M54出土的陶连枝灯上贴塑有8尊坐佛像,佛像具有浓郁的犍陀罗佛像造像特征。M54的年代在4世纪后期至5世纪初的后秦时期,陶连枝灯上贴塑的坐佛像为十六国时期佛像增添了新资料。同时,在作为随葬品的陶连枝灯上贴塑佛像的做法,对探讨十六国时期长安地区的佛教信仰、丧葬习俗与佛教的关系等具有重要意义。This paper investigates the eight sitting Buddha decorations on the ceramic lotus lamp with interconnected branches yielded from the Sixteen Kingdoms period tomb no.M54 at Dizhang village in Xianyang.The authors propose that the decorations present typical Gandhara characteristics.Since the tomb dates to the Later Qin period,equivalent to the end of the fourth century to the beginning of the fifth century C.E.,the Buddha decorations provides new information for studying the Buddha iconography during the Sixteen Kingdoms period.Meanwhile,the application of the mold-pasted method for making the Buddha iconography provides important information for exploring the Buddhism religion and the relationship between burial custom and Buddhism during the time.

关 键 词：十六国时期 墓葬 陶连枝灯 佛像 

分 类 号：K879.3[历史地理—考古学及博物馆学] K238[历史地理—历史学]