论库切《凶年纪事》中后现代叙事的新探索  

The New Exploration of Postmodern Narration in Coetzee's Diary of a Bad Year

作　　者：韩乐 牟学苑[1] HAN Le;MU Xue-yuan(School of Literature and Art,Shihezi University,Shihezi Xinjiang,832061)

机构地区：[1]石河子大学文学艺术学院,新疆石河子832061

出　　处：《山西大同大学学报（社会科学版）》2023年第3期89-93,共5页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：库切的《凶年纪事》极具后现代主义文学个性鲜明的创造性,这种创造性首先体现在作品的外在形式即排版布局上:在《凶年纪事》中,库切采用了三栏横向排版的文章布局方式,把小说和评论文章巧妙地融合进文本中。这样独特的形式不仅引发了一种共识性对话,还将故事的时间性和空间性不断融合转换。其中,库切刻意制造出的栏目空白,赋予不同人物专属的叙事速度,选择性放置了栏目的内容,这三种创新手段共同打造出本书独具特色的后现代时空感,同时也完成了一种新型共时性立体叙事的创作实践。而从内容上看,冰冷的时评内容也与散落全文的梦境叙事共同融合成一个人文关怀的故事。Coetzee's Diary of a Bad Year has a distinctive creativity of postmodernism literary trend,which is first reflected in the external layout form of this work,in the novel Diary of a bad year,Coetzee a writer dedicated to form innovation,adopts the layout of three horizontal columns,skillfully integrates novels and commentary articles into the text.This unique structural form not only triggers a consensus dialogue,but also continuously integrates and transforms the sense of space-time of the story.Among the whole text,Coetzee deliberately creates column blanks,give different narrative speed specifically for different characters,selectively place the column content,these three methods all make a unique postmodern sense of space-time in this book.At the same time,it also completes the creative practice of a new type of synchronic three-dimensional narrative practice.From the perspective of content,the icy current review content has also merged with the scattered dream narrative of the entire text to form a story with humanistic care.

关 键 词：《凶年纪事》 后现代叙事 梦境叙事 对话性 时空感 

分 类 号：I106.4[文学—世界文学]