略谈《小二黑结婚》的喜剧艺术  

The Comic Art of Xiaoerhei’s Marriage

作　　者：宋惠娟[1] Song Huijuan(Department of Chinese Language and Literature,Changzhi University,Changzhi Shanxi 046011)

机构地区：[1]长治学院中文系,山西长治046011

出　　处：《长治学院学报》2023年第3期53-58,共6页Journal of Changzhi University

摘　　要：作为赵树理的成名作和代表作,《小二黑结婚》根据真实的悲剧故事改编,是赵树理作品中艺术成就最高的作品之一,其艺术性主要体现在赵树理受民间通俗文化影响的喜剧艺术。《小二黑结婚》中的喜剧形象主要是三仙姑和二诸葛,作者通过设置喜剧情境对这两个人物身上的封建思想进行了揭露和嘲笑,并使他们最终从落后转变为进步,体现了作者改造农民思想的美好愿望。三仙姑和二诸葛的形象在中西喜剧形象序列中具有独特性,他们既是被嘲讽的对象,又是要改造的正面形象,是特殊时期的独特的喜剧形象。作品在让人发笑的同时也透露了喜剧人物背后的“悲”,人物的喜剧性塑造体现了中国传统的乐感文化特质,而“喜中含悲”“悲喜互藏”的风格也体现了中国传统美学的特征。As Zhao Shuli’s first well-known work and masterpiece,Xiaoerhei’s Marriage,adapted from a true tragedy,is one of Zhao Shuli’s most accomplished works.Its artistry is mainly embodied in Zhao Shuli’s comic art influenced by folk popular culture.Sanxiangu and Erzhuge are the important comic images in the novel.The author exposes and ridicules the feudal thoughts of the two characters by setting up comic situations,who change from backwardness to progress finally,which reflects the author’s good wish.Sanxiangu and Erzhuge are unique in the image sequence of Chinese and western comedies.They are not only the objects of ridicule,but also the positive images to be reformed.While the work makes people laugh,it also reveals the“tragedy”behind the characters.The comic portrayal of the characters reflects the traditional Chinese optimistic culture embodied in Zhao Shuli,and the style of“comedy mixed with tragedy”and“tragedy mixed with comedy”also represents the characteristics of traditional Chinese aesthetics.

关 键 词：小二黑结婚 赵树理 喜剧艺术 

分 类 号：I246.7[文学—中国文学]