场景理论视域下滇越铁路沿线文化空间营造研究  

Research on the Creation of Cultural Space along the Yunnan-Vietnam Railway from the Perspective of Scene Theory

作　　者：耿达 傅斯鎏 Geng Da;Fu Siliu(School of Ethnology and Sociology,Yunnan University,Kunming 650091,China)

机构地区：[1]云南大学民族学与社会学学院

出　　处：《文化软实力研究》2023年第3期101-115,共15页Studies on Cultural Soft Power

基　　金：国家社科基金青年项目“数字化条件下乡村公共文化空间变迁与治理转型研究”(22CSH041)的阶段性成果;云南大学“M60”文化发展研究项目“场景理论视域下滇越铁路沿线文化空间研究”(M602022YB8)的最终成果。

摘　　要：历经百年的滇越铁路是云南现代化的见证,也是中国式现代化的缩影。作为近代中国工业时代的标志产物,滇越铁路长期是连接中国西南与东南亚的交通贸易要道。随着后工业时代或消费时代的来临,滇越铁路逐渐演化为历史记忆的工业遗产,成为游客消费体验的文化景观。在梳理滇越铁路的身份转变过程中,引入新芝加哥学派的场景理论,通过聚焦舒适物在滇越铁路沿线文化空间中的分布情况,研究当今滇越铁路的特定文化风格,反映参与者的价值判断与文化偏好,进而完善滇越铁路沿线文化空间营造的策略。滇越铁路沿线文化空间营造的实践表明,新时代线性文化遗产的保护利用需要协调社会效益与经济效益来提升文化消费质量,发挥本土资源与域外资本的优势来构建社会网络,尊重文化主体性的参与建构权利,透过场景“见人、见物、见生活”。The century-old Yunnan-Vietnam Railway is a testimony to Yunnan's modernization and a microcosm of Chinese-style modernization.The Yunnan-Vietnam Railway is a symbolic product of modern China's industrial era and has long served as a major transportation and trade route connecting Southwest China with Southeast Asia.With the advent of the post-industrial or consumer era,the Yunnan-Vietnam Railway has gradually evolved into an industrial heritage of historical memory and a cultural landscape for tourists to consume and experience.In the process of sorting out the identity transformation of the Yunnan-Vietnam Railway,the New Chicago School's Scene Theory is introduced to study the specific cultural style of today's Yunnan-Vietnam Railway by focusing on the distribution of comforts in the cultural space along the Yunnan-Vietnam Railway,reflecting the value judgment and cultural preference of the participants,and then improving the strategy of creating cultural space along the Yunnan-Vietnam Railway.The practice of creating cultural spaces along the Yunnan-Vietnam Railway shows that the protection and utilization of linear cultural heritage in the new era needs to coordinate social and economic benefits to improve the quality of cultural consumption,to take advantage of local resources and foreign capital to build social networks,to respect the right to participate in the construction of cultural subjectivity,and to“see people,things,and life”through the scenes.

关 键 词：滇越铁路 工业遗产 文化空间 文化消费 场景理论 

分 类 号：G05[文化科学] F532.4[经济管理—产业经济]