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作 者:姜向阳 刘益曦 许翔 JIANG Xiangyang;LIU Yixi;XU Xiang(School of Architecture,Tianjin University,Tianjin 300072,China;Zhejiang Tongji Vocational College of Science and Technology,Hangzhou 311231,China)
机构地区:[1]天津大学建筑学院,天津300072 [2]浙江同济科技职业学院,浙江杭州311231
出 处:《照明工程学报》2023年第3期113-120,共8页China Illuminating Engineering Journal
基 金:浙江省社科规划重点课题“共同富裕视角下传统村落人居环境转型发展研究”(编号:23NDJC059Z)。
摘 要:西方前卫艺术的发展与变革促使光媒介成为艺术创作中的重要表现媒材,光媒介被应用于光景观塑造与表现是在“南加州光与空间运动”背景下产生的。国际著名光景观塑造艺术家詹姆斯·特瑞尔从20世纪六七十年代便开始探索光与空间的关系,他创作的3类代表性光景观:投影类光雕塑、沉浸式光空间、户外型光场域,分别再现了光媒介与特定空间融合进行光景观塑造的典范,通过分析光媒介在这3类光景空间中的具体视觉形态,揭示詹姆斯·特瑞尔在光景观塑造中对光媒介的处理与表现方式,以期探索更加丰富的国际特色光景营造手法与经验。The development and transformation of Western avant-garde art has made light media an important medium of expression in artistic creation.The application of light media to the shaping and expression of light landscapes came into being under the background of the“Southern California Light and Space Movement”.Internationally renowned light landscape shaping artist James Turrell has been exploring the relationship between light and space since the 1960s and 1970s.He has created three types of representative light landscapes:projection-type light sculptures,immersive light spaces,and outdoor light field,each of them respectively reproduces the model of the light medium and the specific space to create the light landscape.By analyzing the specific visual form of the light medium in these three types of light landscape spaces,it reveals James Turrell’s cognition of the light medium in the light landscape creation,in order to explore richer techniques and experience in creating landscapes with international characteristics.
关 键 词:光媒介 光景观 光与空间运动 詹姆斯·特瑞尔 视觉形态 媒介语言
分 类 号:TM923[电气工程—电力电子与电力传动]
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