阿索尔·富加德戏剧研究述评  

Areviewof studies on Athol Fugard'splays

作　　者：许诗倩 黄晖[1] XU Shiqian HUANG Hui(College of Chinese Language and Literature,Central China Normal University,Wuhan 430079,P.R.China)

机构地区：[1]华中师范大学

出　　处：《外国语言文学》2023年第2期75-83,135,共10页Foreign Language and Literature Studies

基　　金：国家社会科学基金重大项目“非洲英语文学史”(19ZDA296)。

摘　　要：自20世纪70年代以降,英语世界中的阿索尔·富加德戏剧研究呈现出了诸多特点。从历时上看阶段性显著,20—21世纪之交时研究成果最多,成就最高;从共时上看则具有区域不平衡性:南非、英、美等国家是主要研究阵地。影响研究与比较研究是主要研究方法,运用后殖民、存在主义、女性主义等批评理论进行阐发,所得成就颇高。总结述评近50年来富加德戏剧在英语世界中的研究情况,旨在为尚处于发展阶段的中国非洲文学研究提供一些启发。Since the 1970s,The study of Athol Fugard's plays in the English speaking world has shown many characteristics.From a diachronic point of view,the stage is significant.At the turn of the 20th century to the 21st century,the most research results and high achievements have been achieved.From a synchronic point of view,there is a regional imbalance:South Africa,Britain,and the United States are the main research positions.Influence research and comparative research are the main research methods,and the use of critical theories such as post-colonialism,existentialism,and feminism has achieved high results.The summary of Fugard's play research is intended to provide some inspiration for the research in China on African literature,which is stillin its infancy.

关 键 词：南非戏剧 阿索尔·富加德 研究综述 

分 类 号：I106[文学—世界文学]