建筑中的手法主义:源起与变化  

Architecture of Mannerism:Origin and Variations

作　　者：卢永毅[1] LU Yongyi

机构地区：[1]同济大学建筑与城市规划学院

出　　处：《城市环境设计》2023年第2期246-252,共7页Urban Environment Design

基　　金：国家自然科学基金项目“现代建筑观念的图像表现研究”(批准号:51978473)。

摘　　要：手法主义,最早被用来描述意大利文艺复兴后期、巴洛克风格出现之前的艺术。手法主义建筑,从艺术史领域应用到同一时期建筑领域的术语,由建筑历史学家安东尼·布伦特和尼古拉斯·佩夫斯纳于20世纪20年代后提出,指向形式上具有戏谑、反常等挑战文艺复兴原则的建筑艺术。米开朗基罗的建筑是手法主义风格中最负盛名的杰作,朱利亚罗马诺、乔治.瓦萨里和安德烈亚.帕拉第奧的作品,也被视为最具代表性的例子。1950年,柯林。罗坡锐地将手法主义拓展至对现代建筑的另一种形式解读。罗伯特。文丘里在20世纪60年代又将这一“风格”议题转换到反对现代主义建筑理性主义和纯净形式的后现代话语讨论中。笔者基于2022年举办的同一主题的研讨会,以及相应的论文和译文成果,纂写这篇综述,拟对手法主义建筑的源起与变化,对这一历史研究的当代意义,作一基础性的介绍和探讨,以期为读者理解专辑内容提供一些帮助。Mannerism began to be used to describe an art expression in the historical period from the later years of the Italian Renaissance around 1520 to 1600 when the Baroque style largely replaced it.Mannerist Architecture,the term adopted from art history to architecture of the same period,characterized by visual trickery and unexpected elements that challenged the Renaissance norms,was found no early than 1920s,by the architectural historians Anthony Blunt and Nicolas Pevsner.As Michelangelo's master pieces have been recognized as the best known arch lecture of the Mannerist style,the other arch Sects'works by Giulia Romano,Giorgio Vasari and Andrea Palladio were also seen as the most representative examples.In 1950,Colin Rowe perceptively related Mannerism to an alternative understanding of Modern Architecture.Then in 1960s,Robert Venturi expanded this"style"to open the Post-modern discourse against the rational and pure form of modernist architecture.Based on a seminar with the same title,as well as all the articles and translations resulted from the academic activity,the author tries to give a brief introduction on the origin and variations of the Mannerism in Architecture,in order to help some readers to have a better understanding on the relations and the significance of these articles in this special edition.

关 键 词：手法主义建筑 建筑风格 源起与变化 史学史 传统与创造 

分 类 号：U-89[交通运输工程]