木巴厘俱乐部文化的历史地位再思考  

Reflection over Historical Location of the Mbari Club Culture

作　　者：张飞龙[1] ZHANG Feilong(School of Foreign Languages,Hebei University of Science and Technology,Shijiazhuang 050018,China)

机构地区：[1]河北科技大学外国语学院,河北石家庄050018

出　　处：《河北科技大学学报（社会科学版）》2023年第2期59-64,72,共7页Journal of Hebei University of Science and Technology:Social Sciences

摘　　要：木巴厘俱乐部文化是20世纪60年代在非洲兴起的一种文化。将伊巴丹木巴厘俱乐部等三家木巴厘俱乐部、《转型》和切姆切米创作中心作为一个文化整体来研究,梳理了其创建过程、主要活动和文化精神,根据萨姆理论首次论证了它们不但同属木巴厘俱乐部文化,而且超越了“俱乐部文化”的范畴,开启了具有深远影响的反新黑人性文化运动。通过对木巴厘俱乐部文化的准确定位,揭示了为何非洲现代文学中黑人性和新黑人性文学与文学经典渐行渐远,以及反新黑人性文学逐渐被经典化的原因,对于理解现代非洲文化选择过程具有重要参考价值。The Mbari Club Culture arose in Africa in 1960s.In this paper Ibadan Mbari Club and other two clubs named after Mbari,Transition Magazine and Chemchemi Creatvie Center were taken as one cultural entity,the process of their founding,activities and their cultural advocacy were respectively analyzed.Besides,these institutions were reconsidered by using Sam Binkley's theory of cultural events,concluding that they excelled the category of club culture",actually they initiated the far-reaching cultural movement against neo-negritude.Through the accurate location of the Mbari Club Culture,it revealed the reasons why the anti-neo-negritude literature was canonized,while negritude and neo-negritude literature were gradually excluded from African literary canons.This is significant to understanding modern African cultural choice.

关 键 词：木巴厘俱乐部文化 反新黑人性 文化运动 现代性启蒙 

分 类 号：I109.5[文学—世界文学]