地域性·文化符号性·民俗性——当代客家舞蹈道具艺术阐释  

Regionality, Cultural Symbolism and Folklore: an Interpretation of Contemporary Hakka Dance Prop Art

作　　者：简立志 JIAN Lizhi(Longyan University,Longyan,Fujian 364000,China)

机构地区：[1]龙岩学院,福建龙岩364000

出　　处：《龙岩学院学报》2023年第3期99-105,共7页Journal of Longyan University

基　　金：国家社科艺术学基金项目“中华民族共同体建构视阈下的闽台仪式舞蹈研究”(21BE076)。

摘　　要：道具的使用是当代客家舞蹈在创作中一个共同特征。在客家舞蹈作品中,道具具有重要的辅助作用,并与客家自然环境、民俗风貌、宗教信仰、生活习惯息息相关。客家舞蹈通过生产生活性道具呈现出地域文化精神与地域认同,道具的不同应用反映了客家文化元素、符号、共通的文化性特征。道具在客家舞蹈作品中蕴含着深层意蕴的艺术表达。同时,在民俗活动道具的舞台化应用和民俗舞蹈道具的沿用中建构民族认同。The use of props is a common feature in the creation of contemporary Hakka dance.In dance works,props play an important auxiliary role and are closely related to Hakka natural environment,folk customs,religious beliefs and living habits.Hakka dance presents regional spirit and regional identity through the production of life props.The different applications of props reflect the elements,symbols,and common cultural characteristics of Hakka culture.At the same time,national identity is constructed in the stage application of folk-dance props and the extension of folk-dance props.Props in Hakka dance works contain deep artistic expression.At the same time,in the stage application of folk activity props and the continuation of folk-dance props,ethnic identity is constructed.

关 键 词：客家舞蹈 道具 艺术阐释 

分 类 号：J714.2[艺术—舞蹈]