陕北剪纸艺术风格在皮革制品中的体现  

Embodiment of Northern Shaanxi Paper Cuttings Art Style in Leather Products

作　　者：高倩[1] GAO Qian(School of Art and Media,Xi'an Innovation College of Yan'an University,Xi'an 710100,China)

机构地区：[1]延安大学西安创新学院艺术与传媒学院,陕西百西安710100

出　　处：《中国皮革》2023年第6期139-142,共4页China Leather

基　　金：陕西省2020年度教育通科学研究计划项目(20JK0455);延安大学西安创新学院一般项目(2020XJKY-4)。

摘　　要：陕北民间剪纸形象多样,具有丰富多彩的美学意蕴,蕴含深厚的人文底蕴,是陕北地区农民生活的一种主要民俗文化。将陕北剪纸艺术应用于皮革制品,增加了皮革制品的文化价值和时代活力,同时也满足了皮革制品个性化、感性化消费的需要。本文介绍了陕北剪纸的起源、风格及图案选取的题材,较为深刻地解释了陕北剪纸图案所带有的文化内涵,并以陕北剪纸的发展历程为主线,探索剪纸艺术与皮革制品的内在联系,同时对陕北剪纸艺术与皮革文创产品的融合发展进行研究和分析,在皮革制品与陕北剪纸艺术之间建立更多的结合点,开创更多的融合模式。The folk paper cuttings in northern Shaanxi has various images,rich and colorful aesthetic implications,and profound humanistic connotations.It is a major folk culture of farmers'life in northern Shaanxi.The application of paper cuttings art in northern Shaanxi to leather products increases the cultural value and era vitality of leather products,and also meets the needs of personalized and perceptual consumption of leather products.This paper introduced the origin,style and theme of pattern selection of paper cuttings in northern Shaanxi,deeply explained the cultural connotation of paper cuttings patterns in northern Shaanxi,and explored the internal relationship between paper cuttings art and leather products based on the development process of paper cuttings in northern Shaanxi.It studied and analyzed the integration and development of paper cuttings art in northern Shaanxi and leather cultural and creative products,aiming to establish more integration points between leather products and paper cuttings art in northern Shaanxi,create more integration modes.

关 键 词：陕北剪纸艺术 皮革文创 艺术风格 

分 类 号：TS56[轻工技术与工程—皮革化学与工程]