王阳明为赋取径探赜  

AFurther Probe intoWang Yangming’s Approach toWriting Fu

作　　者：高文绪 罗宏梅 GAO Wen-xu;LUO Hong-mei(College of Literature,Guangxi Normal University,Guilin 541006,China;School of Humanities and Media,Zunyi Normal University,Zunyi 563006,China)

机构地区：[1]广西师范大学文学院,广西桂林541006 [2]遵义师范学院人文与传媒学院,贵州遵义563006

出　　处：《遵义师范学院学报》2023年第3期87-91,共5页Journal of Zunyi Normal University

摘　　要：明代中期前七子倡导辞赋复古,王阳明与七子虽处同时,但他不以复古自蔽,除法庄子、屈原、汉大赋外,兼学王勃、杜牧、苏轼等人。细论之,他的取径要在法庄、屈,这为其赋注入了旷达、骚怨精神。他效汉大赋的铺陈,以增强其赋的气势。唐宋则取王勃之辞彩,杜牧之盛衰悲慨,苏轼之矛盾消解方式。王氏取径的原因,既有时代的影响,又有他个人交游的促进,更离不开他自身的性格和遭际。In the mid-Ming Dynasty,the first seven scholars advocated the restoration of Ci and Fu.Although Wang Yangming and the seven scholars were at the same time,he didn’t hide himself fromthe restoration of Ci and Fu.Besides Zhuangzi,Qu Yuan and Han Da Fu,he also learned form Wang Bo,Du Mu,Su Shi and others.In a word,he learned fromzhuangzi and Quyuan,which injected broad-minded and resentful spirit into his Fu;he studied the elaboration of Han Da Fu and enhanced its momentum;he adopted Wang Bo’s words,Du Mu’s emotions of ups and downs with sorrow,and Su Shi’s ways of resolving contradictions.The reasons for his choice were not only the influence of the times,but also the promotion of his personal experiences,and even more inseparable from his own personality and circumstances.

关 键 词：王阳明 为赋取径 上法庄屈 下取汉宋 

分 类 号：I207.2[文学—中国文学]