用身体聆听:感受力与感觉批判  

Listening with the Body:Sensibility and Sensory Criticism

作　　者：王大桥[1] 刘洋 Wang Daqiao;Liu Yang(School of Chinese Language and Literature,Lanzhou University,Lanzhou 730020,China)

机构地区：[1]兰州大学文学院,甘肃兰州730020

出　　处：《西北民族大学学报（哲学社会科学版）》2023年第3期174-179,共6页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：国家社会科学基金一般项目“当代批判理论的美学问题研究”(项目编号:22BZW039)。

摘　　要：语言符号表征下的聆听是非物质性的,19世纪以来的自然科学研究和技术发展在量化声音的过程中促使聆听物质化,物质化聆听尽管悖论性地远离了肉身性的感觉体验,但也为身体聆听提供了有利条件。身体聆听以整个身体作为聆听器官,作为共鸣器的身体向情境敞开,与情境相互生成,使得感受性处于流动的不确定状态,呈现出多样化的特征。身体聆听在向多重感觉和情境敞开的同时也向认识和思维领域扩展,经由肉身感受力为基点的身体思维,感觉批判被赋予了沉浸式的抵抗力量。Listening under the symbolic representation of language is immaterial.Natural scientific research and technological developments since the nineteenth century have contributed to the materialization of listening in the process of quantifying sound.This materialization of listening in the physical sense,although paradoxically distant from the experience of corporeality,also provides conditions conducive to bodily listening.Bodily listening uses the whole body as a listening organ.The body as a resonator opens up to circumstances and mutually generates each other,leaving perceptivity in a fluid state of uncertainty and taking on diverse characteristics.The bodily listening also expands into the realm of awareness and thought while opening up to multiple sensations and circumstances.Through bodily thinking based on corporeal sensibility,sensory criticism is imbued with the immersive resistance.

关 键 词：语言 物质化聆听 身体聆听 身体思维 感觉批判 

分 类 号：I313[文学—其他各国文学]