“玄鸟生商”神话的阐释与重构  

The Interpretation and Reconstruction of the Myth of“Heavenly Bird Broods the Shang Dynasty”

作　　者：张美宏 ZHANG Meihong(College of Liberal Arts,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学文学院,上海200444

出　　处：《苏州教育学院学报》2023年第3期58-67,共10页Journal of Suzhou College of Education

摘　　要：《诗经》中的“玄鸟生商”是上古感生神话,后世史学叙事和经学阐发莫不以此为始。随着时代的发展,“玄鸟生商”感生神话在文人儒士的阐释和改造下发生了观念与情节上的变化,社会功能也随之发生变异,其中有今、古文经之不同,也有神话历史化、世俗化的影响。新的思想观念推动“玄鸟生商”神话产生了新的适应性,在儒士的反复阐释中获得新的意蕴,文化内涵也得到重构。The“Heavenly Bird Broods the Shang Dynasty”in The Book of Songs is an ancient myth of god-sent conception,which is the starting point for later historical narratives and interpretation of Confucian classics.As time passed by,due to the interpretation and adaptation of Confucian scholars,the idea and plot of god-sent conception myth based on the“Heavenly Bird Broods the Shang Dynasty”changed at the same time,and its social function also changed,due to the influences of different ancient and modern Confucian texts,as well as the historization and secularization of the myth.The new concepts and notions promoted the myth of“Heavenly Bird Broods the Shang Dynasty”to adapt to the new situations,acquiring new connotations through repeated interpretations by Confucian scholars,and reconstructing the cultural connotations.

关 键 词：“玄鸟生商” 《诗经》 感生神话 文化重构 

分 类 号：I207.7[文学—中国文学]