《新唐书·文艺传序》的重构性书写与北宋文坛之关系  

On the Relationship between the Reconstructive Writing of The Preface to Literature and Art in New Tang Book and the Literary World of the Northern Song Dynasty

作　　者：陶慧[1] Tao Hui

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2023年第2期113-120,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金后期资助项目“两《唐书》与唐代文学史建构研究”(21FZWB067);江苏省高校哲学社会科学研究项目“两《唐书》文人传与唐代文学史建构研究”(2019SJA0240)。

摘　　要：《新唐书·文艺传序》相对于前代正史“文苑传序”,无论是对文学本体的价值定位,还是行文书写的结构形式,都呈现出了明显的重构性。这种重构性书写是北宋中期官方意识形态的集中体现,是对其时史学与文学发展趋势的现实回应,同时也不可避免地受到了史臣宋祁本人文学观念的部分影响。在为唐代文学树碑立传的同时,也侧面体现出了本朝文坛不同类型文学主体间的复杂现状。Compared with the“Literati Biography”in the histories of the previous generation,New Tang Book’s Preface for Literature and Art shows obvious reconstructive character in both the value positioning of literary ontology and the structural form of writing.This kind of reconstructive writing is the concentrated embodiment of the official ideology of the middle of the Northern Song Dynasty.It is a realistic response to the development trend of historical history and literature.At the same time,it is also inevitably influenced by the official chief editor Song Qi's own literary concept.While establishing a monument for the literature of the Tang Dynasty,it also reflects the complex situation between different types of literary subjects in the literary world of this dynasty.

关 键 词：《新唐书·文艺传序》 文学书写 古文运动 后西昆派 

分 类 号：I206.2[文学—中国文学]