“言”与“不言”的吊诡——论抗战时期的文学南京  

The Paradox of“Saying”and“Not Saying”:On the Literature of Nanjing during the Anti-Japanese War

作　　者：金钰[1] Jin Yu

机构地区：[1]辽宁师范大学文学院,辽宁大连116033

出　　处：《南京师范大学文学院学报》2023年第2期131-138,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：南京作为民国时期的政治中心,不同权力体制间的力量角逐对其文学风貌有着直接的浸染———不仅民族主义文艺运动于南京大力展开,“报国文学”创作、旧体诗词创作、“新进作家”的反抗创作等种种特殊的文学作品也同时涌入金陵城。“政”与“学”的冲突在特殊的时代背景中愈发激烈,由此,抗战时期的文学南京生发出“言与不言”的两条书写路径。一条是旅居于南京的外籍文人,他们以“他者记忆”的方式进行着情感真挚的南京书写,重启了市民文学的辉煌篇章。一条是以南京为文学起点的本地文人,他们奔赴异地,以“外乡建功”的方式实现对现实主义文学的强有力开掘。As the political center of the Republic of China period,the power struggle between different power systems directly influenced the literary phenomena-not only did the nationalist literary movement vigorously unfold in Nanjing,but various special literary works such as“patriotic literature”creation,old style poetry creation,and resistance creation of“new writers”also flooded into this city.The conflict between“politics”and“academics”has become increasingly intense under the special background,which has led to two writing paths of“speaking or not speaking”in the literature of Nanjing during that time.One is the literati who reside in Nanjing and come from other places of origin.They write about Nanjing with sincere emotions in the form of“memories of others”,restarting the glorious chapter of urban literature.The other is the local literati who took Nanjing as the starting point for literature,traveling to different places and achieved strong exploration of realism literature by making achievements in other towns.

关 键 词：抗战时期 文学南京 政学冲突 文学思潮 

分 类 号：I206.6[文学—中国文学]