近十年来中国电影批评思潮探究  

Research on the Trend of Chinese Film Criticism in Recent Ten Years

作　　者：岳晓英[1] Yue Xiaoying

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《南京师范大学文学院学报》2023年第2期163-171,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：江苏省高校哲学社会科学基金重大项目“中国现当代跨门类艺术史研究”(项目批准号:2021SJZDA105)。

摘　　要：近十年来,中国电影批评通过凸显其对电影类型的混搭互渗、意义的复合融通的审美创新的推崇,对当下社会和生存现实进行审美关照的情感渴求,以及对本土文化和价值理念愈加认同的精神追求,积极参与对中国电影意义的建构,推动形成颇具时代特色的批评思潮。这一批评思潮的形成既是由于受到当下中国时代文化的影响,也是中国电影批评主体自觉激发当下中国文化自身创造性的体现。In the past decade,Chinese film criticism has actively participated in the construction of the meaning of Chinese films,promoted the formation of a critical trend with distinctive characteristics of the times by highlighting its admiration for the aesthetic innovation of mixing and infiltrating film genres,the composite integration of meaning,the emotional desire for aesthetic care of current society and survival reality,and the spiritual pursuit of increasing recognition of local culture and values.The formation of this critical trend is not only influenced by the culture of the current Chinese era,but also a reflection of the conscious stimulation of the creativity of the current Chinese culture by the main body of Chinese film criticism.

关 键 词：近十年来 中国电影批评 批评思潮 

分 类 号：J905[艺术—电影电视艺术]