论毛泽东文艺思想中的民族形式理论  

On National Form Theory of Mao Zedong's Literary Thought

作　　者：张文诺 ZHANG Wen-nuo(School of Humanities,Shangluo University,Shangluo 726000,Shannxi)

机构地区：[1]商洛学院人文学院,陕西商洛726000

出　　处：《商洛学院学报》2023年第3期34-42,共9页Journal of Shangluo University

基　　金：国家社会科学基金重大招标项目(21&ZD260)。

摘　　要：毛泽东的民族形式理论是抗日战争时期对抗日民主根据地文艺界面临的重大问题的重要论述,是对马克思文艺理论的继承与发展。毛泽东的民族形式理论论述了民族形式的内涵,认为民族形式是一种发展中的形式,回答了工农兵文艺的形式建构问题。毛泽东的民族形式理论解决了工农兵文艺的形式问题,并为新中国文艺的发展提供了清晰的发展指向。The national form theory issue of Mao Zedong is about the important question which is faced by the literary and art circles in the Anti-Japanese democratic base areas during the Anti-Japanese War,and is the inheritance and development of Marx's theory of literature and art.Mao Zedong's theory of national form discusses the connotation of national form,believes that national form is a developing form,and answers the question of the construction of literary and artistic forms of workers,peasants,and soldiers.Mao Zedong's thought of national form solves the problem of the form of the literature and art of the workers,peasants and soldiers,and provided important guidance and promotion for the development of literature and art in new China.

关 键 词：民间形式 旧形式 民族形式 工农兵民众 

分 类 号：C95[社会学—民族学] A841[哲学宗教—马克思主义哲学]