简析当代硬笔插图中口“线”的美学特征  

ABrief Analysis of theAesthetic Characteristics of"Line"in Contemporary Hard Pen Illustrations

作　　者：陆盈睿 LU Yingrui(China Academy of Art,Hangzhou 202306,Zhejiang,China)

机构地区：[1]中国美术学院,浙江杭州202306

出　　处：《中国制笔》2023年第2期52-56,共5页China Writing Instruments

摘　　要：硬笔工具是人类进行艺术创作最重要的媒介之一,硬笔插图则是围绕着硬笔工具的进步发展起来的插图门类,是一个逐渐完善中的、极具包容性的领域,在这个领域中既有对传统绘画表现的继承,更有对各种新型表现形式的追求。时至今日,硬笔插图的创作者早已普及,硬笔插图的作品更是活跃于国内外各大插画比赛中,可预见的硬笔插图正在完善以“线”为核心的美学思想,并逐渐向着独立艺术门类过度。Hard pen tools are one of the most important media for human artistic creation,The hard pen's illustrations is a new category of illustrations that developed around the progress of hard pen tools.It is a gradually improving and highly inclusive field,which not only inheriting traditional painting expressions,but also pursues various new forms of expression.Nowadays,more and more people are creating hard pen illustrations,and their works are even more active in international illustration competitions.It is foreseeable that hard pen illustrations are improving their aesthetic concept centered on"lines"and gradually transitioning towards independent art categories.

关 键 词：美学思想 硬笔工具 插图插图 

分 类 号：G63[文化科学—教育学]