情感实践与革命文艺生产的双向反哺——以草明《延安人》为中心的考察  

The Two-way Feedback of Emotional Practice and Revolutionary Literature Production—An Examination Centered on Cao Ming’s Yan’an People

作　　者：刘相美 柴旭杰 Liu Xiangmei;Chai Xujie(School of Chinese Language and Literature,Hebei University,Baoding Hebei 071002,China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北科技师范学院学报（社会科学版）》2023年第2期14-21,共8页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：主要聚焦草明的情感实践与创作转型,以1947年创作的短篇小说《延安人》为切入口分析情感实践与革命文艺生产的交互影响。《讲话》发表后,一系列情感实践促进了知识分子主体的情感转向,作为创作主体的作家的转变也影响了革命文艺的生产与建构。草明延安时期的创作及其转型具有典范性。在宏观层面,作家的情感实践促进革命文艺生产的同时,革命文艺创作活动也在滋润着创作者的情感认同。创作者投身革命文艺生产的场域之中,本身就是一种情感实践。知识分子的情感实践与革命文艺生产的双向反哺、相互成就是中国共产党进行社会变革的一条有效的内在路径。The interactive influence of emotional practice and revolutionary literature production is studied focusing on Cao Ming’s emotional practice and creative transformation in his short story Yan’an People written in 1947.After the publication of Chairman Mao Zedong’s Talks at Yan’an Forum on Literature and Art,a series of emotional practices promoted the emotional transformation of the intellectuals,and the change of the writer as the creative subject also affected the production and construction of revolutionary literature and art.The creation and transformation of Cao Ming were exemplary when he was in Yan’an.At the macro level,the writer’s emotional practice promotes the production of revolutionary literature and art,and the creative activities of revolutionary literature and art are also nourishing the creators’emotional identity.The engagement of creators in the field of revolutionary literature production is an emotional practice.The two-way feedback and mutual achievements of intellectuals’emotional practices and revolutionary literature production is an effective internal path for social change of the Communist Party of China.

关 键 词：情感实践 革命文艺生产 草明 《延安人》 

分 类 号：I206.6[文学—中国文学]