晚清“男降女不降”话语及其女性想象  

The Discourse of“Male Conforms but Female Do not”in the Late Qing Period and Its Female Imagination

作　　者：马龙 MA Long(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《宁波大学学报（人文科学版）》2023年第4期20-27,43,共9页Journal of Ningbo University：Liberal Arts Edition

摘　　要：20世纪初,晚清知识界针对“男降女不降”这一来自明季的历史话语进行了广泛征用,形成一股颇具势力的言说热潮。虽然话语使用的背后担负相同性质的民族主义动机,但在具体论述过程中仍呈现微妙而有意味的差异:以蔡元培和章士钊为代表的“《苏报》同人”多借此话语形式直接为“排满革命”张目;其他知识分子如柳亚子、高燮等更为关注话语本身凸显的女性主体,致力于挖掘“女不降”蕴含的民族大义,借此呼唤晚清女性的崛起,彰显一定意义的女性主义立场。同时期文学文本建构的女性形象,可以看作是对上述差异性言说及其背后相同意图的呼应。In the first half of the 20th century,the historical discourse of Ming Dynasty“men conform but women do not”was widely circulated in the intellectual circle of the late Qing Dynasty,forming a powerful speech upsurge.Although the use of discourse bears the same nationalist motivation,there are still subtle and meaningful differences:the Su Bao community represented by Cai Yuanpei and Zhang Shizhao took the discourse to directly publicize the“Anti-Manchu revolution”;Other intellectuals,such as Liu Yazi and Gao Xie,paid more attention to the female subjects,and attempted to excavate the national righteousness behind the“women do not comfort”,calling for the rise of women in the late Qing Dynasty and highlight a meaningful feminist position.The female images constructed in literary texts in the same period can be regarded as the echo of the above two speaking directions and the same intention behind them.

关 键 词：晚清 男降女不降 排满革命 女性想象 

分 类 号：I206.5[文学—中国文学]