触类旁通:魏晋六朝文论与棋论会通考辨  

Comprehending by Analogy:a General Examination of Literary Theory and Chess Theory in the Wei,Jin and Six Dynasties

作　　者：刘莉莉 孙瑞雪 LIU Lili;SUN Ruixue(College of Literature,Shanxi University,Taiyuan 030006,China)

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《湖北文理学院学报》2023年第6期44-48,共5页Journal of Hubei University of Arts and Science

摘　　要：汉末魏晋六朝,文论与棋论遥相呼应,共融共通。从批评方法看,二者皆以“品第”方式推出时代楷模,以供学习和模拟;从批评范畴看,文论和棋论都有尚“势”的特征,以势之定与变探讨为文与行棋之具体技巧;至于境界层面,二者的理论建构都可归结为易道,传达出天人合一之感,极具生命意识。此种共融共通实是因为二者的理论建构都滥觞于中华民族的儒道法及兵家思想,此种趋势在魏晋六朝之后亦有承传。At the end of the Wei,Jin and Six Dynasties,literary theory and chess theory echoed each other from afar.From the perspective of criticism methods,both of them introduced the model of the times in the way of“grade”for learning and simulation;from the perspective of criticism category,both literary theory and chess theory have the characteristics of advocating“type”,and the discussion of the determination and change of type is the specific skill of writing and playing chess;as for the realm level,the theoretical construction of both can be summed up as Yi Dao,which conveys the sense of harmony between man and nature,and has a strong sense of life.The reason for this kind of integration is that the theoretical construction of both originated from the local Confucianism,Taoism,Legalism and strategists of the Chinese nation,and this trend was also inherited after the Wei,Jin and Six Dynasties.

关 键 词：魏晋六朝 文论 棋论 品第 势 

分 类 号：I206.2[文学—中国文学] I206.4