古代朝鲜汉文小说《三韩拾遗》用典艺术探析  

An Analysis of Allusions in the Ancient Korean Chinese Novel San Han Shi Yi(三韩拾遗)

作　　者：孙惠欣 刘坤 Sun Huixin;Liu Kun(Dalian University,Dalian,116622)

机构地区：[1]大连大学,大连116622 [2]大连大学文学院,大连116622

出　　处：《东疆学刊》2023年第3期81-88,128,共9页Dongjiang Journal

基　　金：2019年度国家社会科学基金项目《〈太平广记〉在朝鲜半岛的传播与影响研究》,项目编号:19BZW041。

摘　　要：《三韩拾遗》是一部以发生于朝鲜朝肃宗时期的义烈女香娘故事为素材创作的长篇汉文小说,作者金绍行在叙事中引用了大量中华历史文化典故。其用典方式灵活多样,并将自身的创作理念与对社会的批判融入其中,或正反结合,舒吭一鸣;或明暗相兼,亦真亦幻;或单连并举,意蕴深远。但此书之用典并非十全十美,也有诸如片面用典、错用典故、无效用典等不当之处。通过对其用典艺术进行剖析,既可以窥得作者金绍行的创作理念,又可以探究到朝鲜朝后期小说所呈现的时代风貌以及中朝两国深厚的历史文化渊源。A long Chinese novel based on the story of Xiangniang,a righteous and martyred woman who lived during the reign of King Sukjong of the Joseon Dynasty,San Han Shi Yi(三韩拾遗)is written by Jin Shaoxing,who quotes a large number of Chinese historical and cultural allusions in his narrative.His use of allusions is flexible,and he incorporates his own creative philosophy and criticism of society into it,combining positive and negative elements to make his voice heard;he uses both explicit and implicit examples to make it both real and fantastical;and he uses single or multiple allusions to give it far-reaching implications.However,the use of allusions in this book is not perfect,and there are some inappropriate uses of allusions,such as one-sided use,misuse,and invalid use of allusions.Through the analysis of his use of allusions,we can not only get a glimpse of the author’s creative philosophy,but also explore the contemporary style of the late Joseon Dynasty novels and the profound historical and cultural relations between China and Korea.

关 键 词：古代朝鲜 《三韩拾遗》 用典方式 创作理念 用典不当 

分 类 号：I312.074[文学—其他各国文学]