论《仙后》第一卷中的寓言性空间  

The Allegorical Spaces in Book I of The Faerie Queene

作　　者：阮婧 Ruan Jing(Cheng Kung University,China)

机构地区：[1]台湾成功大学,中国 [2]绍兴文理学院元培学院

出　　处：《中世纪与文艺复兴研究》2022年第1期168-184,共17页Medieval and Renaissance Studies

摘　　要：在《仙后》第一卷中,红十字骑士经历一系列的艰险和磨砺后,终于获得神圣这一美德并成长为一名受人尊敬的基督教骑士。本文认为,埃德蒙·斯宾塞巧妙地将红十字骑士为获得神圣这一美德而经历的成长过程设计并安排进三种空间框架中。简而言之,这三种空间包括自然空间、建筑空间和伊甸园空间。本文将探讨这三种空间的寓意及其在红十字骑士成长为代表神圣美德的基督教骑士中的作用。此外,本文也将讨论斯宾塞神圣观念的源起、历史文化语境及意涵,从而揭示斯宾塞的神圣观与其在《仙后》第一卷中的寓言性空间建构的相关性。In Book I of The Faerie Queene,Red Crosse experiences a series of trials and tribulations before he attains holiness and becomes a respectable Christian knight.The present paper argues that the whole process of Red Crosse's journey of bildungsroman towards holiness is designed and arranged ingeniously by Edmund Spenser within three types of spaces,which are natural space,architectural space and Edenic space.By exploring the allegorical connotations of the spaces and their functions in assisting Red Crosse to become a true Christian knight who embodies holiness as a virtue,this paper also attempts to discuss the source,contexts and implications of Spenserian holiness as well as the correlation between Spenserian holiness and the construction of allegorical spaces in Book I of The Faerie Queene.

关 键 词：寓言性空间 《仙后》 神圣 埃德蒙·斯宾塞 

分 类 号：I561.072[文学—其他各国文学]