赣闽台客家民歌旋律形态研究——以《正月闹花灯》《采茶灯》《病囝歌》为例  

A Study of the Melodic Patterns of Hakka Folk Songs in Jiangxi,Fujian and Taiwan——Take"Zhengyue Nao Huadeng""Cai Cha Deng""Bing Nan Ge"as an Example

作　　者：肖艳平 胡丹[2] 张灵灵[2] XIAO Yanping;HU Dan;ZHANG Lingling(Gannan Folk Regional Culture and Art Research Center;School of Music,Gannan Normal University,Ganzhou 341000,China)

机构地区：[1]赣南民间区域文化艺术研究中心 [2]赣南师范大学音乐学院,江西赣州341000

出　　处：《赣南师范大学学报》2023年第4期44-51,共8页Journal of Gannan Normal University

基　　金：江西省艺术科学规划项目(YG2021025);江西省艺术科学规划项目(YG2021026);江西省高水平本科教学团队项目。

摘　　要：客家是一个跨越地理区域的族群,民歌是客家各地区具有代表性的民间艺术形式。《正月闹花灯》《采茶灯》《病囝歌》是分属于赣闽台地区的民歌,通过对不同地理区域三首民歌节奏节拍、调式落音、句式、句幅与细部旋律等维度进行分析,发现三者之间存在紧密的关联。个案分析显示,赣南、闽西与中国台湾的桃竹苗地区是客家族群在线性迁徙中的三个重要“节点”。Hakka people is a geographically diverse ethnic group,and its folk songs are a representative form of folk art in Hakka people."Lantern festival""Tea-picking lantern"and"The sick dead"are folk songs belonging to the Gan-Min-Tai area,through the analysis of three folk songs in different geographical areas,such as rhythm,mode,sentence pattern,sentence length and detail melody,it is found that there is a close relationship between the three.From the case study,it was found that the peach,bamboo and Miao areas in southern Jiangxi,Western Fujian and Hakka people were three important nodes in the linear migration of ethnic groups.

关 键 词：音乐形态学 客家民歌 客家族群 

分 类 号：J6[艺术—音乐]