中国现象级科幻大片的美学新范式——以《流浪地球》系列为中心的考察  

A new aesthetic paradigm of Chinese phenomenon science fiction blockbuster—An investigation centered on The Wandering Earth series

作　　者：闵媛春 吴锐 MIN Yuanchun;WU Rui(College of Fashion Media,Jiangxi Institute of Fashion Technology,Nanchang 330201,China;Media Arts Research Center,Jiangxi Institute of Fashion Technology,Nanchang 330201,China)

机构地区：[1]江西服装学院时尚传媒学院,南昌330201 [2]江西服装学院传媒艺术研究中心,南昌330201

出　　处：《服装论丛》2023年第1期40-47,共8页Journal of Clothing

摘　　要：科幻片与电影技术关联最紧密,特别是数字技术的发展创造了电影艺术的奇观想象。科幻片影像美学的不断升级,将艺术想象力的美转化为现实。文章以中国现象级科幻大片《流浪地球》系列为考察对象,认为其不仅在新时代中国电影文化产业中具有划时代的重要意义,还对中国电影工业美学的发展创造了新的审美范式。影片在技术美学的基础上,兼顾生态美学和存在美学的影像表达,完成了由表及里、由外向内、由浅入深的哲学思辨,囊括了中国人对宇宙的真实写照和浪漫想象。Science fiction is most closely related to film technology,especially the great prosperity of digital technology has created the marvelous imagination of film art.The continuous upgrading of science fiction film image aesthetics transforms the beauty of artistic imagination into reality.This article takes the series of Chinese phenomenon sci-fi blockbuster The Wandering Earth as the object of investigation,and holds that it not only has epoch-making significance in the Chinese film culture industry in the new era,but also creates a new aesthetic paradigm for the development of Chinese film industry aesthetics.On the basis of technical aesthetics,the film gives consideration to the image expression of ecological aesthetics and existential aesthetics,and completes the philosophical speculation from the outside to the inside,from the outside to the inside,and from the shallow to the deep,including the true portrayal and romantic imagination of the Chinese people on the universe.

关 键 词：科幻片 现象级 流浪地球 美学 

分 类 号：J9[艺术—电影电视艺术]