恽寿平绘画中的设色探究  

Coloring Exploration in Yun Shouping's Paintings

作　　者：蔡梦雨 Cai Mengyu(Shanghai Academy of Fine Arts,Shanghai University)

机构地区：[1]上海大学上海美术学院

出　　处：《流行色》2023年第5期140-142,共3页Fashion Color

摘　　要：“清初六大家”之一的恽寿平,作品风格清丽秀逸,受世人喜爱。他所开创的“常州画派”在清代画坛中有着举足轻重的地位。他的没骨花卉作品设色不论是秾丽或淡雅,均以润秀的笔墨和设色“与花传神”,山水上的造诣也同样为世人称赞。恽寿平画作中独特的韵致离不开他对设色的审美理念与自如运用,其绘画对于明末清初的花鸟画有着起衰之功,对后世绘画同样有着深远的影响。本文将结合恽寿平绘画作品和画跋中的设色理论研究其设色特点,探究写生和临摹对于其设色风格特点的影响,并对其后世影响进行简要分析。Yun Shouping,one of the"Six Great Masters of the Early Qing Dynasty",has a beautiful style and is loved by the world.The"Changzhou School"he founded played a pivotal role in the Qing Dynasty painting circle.His boneless floral works,whether beautiful or elegant,are"conveyed with flowers"with their beautiful brush and ink,and his achievements in mountains and waters are also praised by the world.The unique charm of Yun Shouping's paintings is inseparable from his aesthetic concept and free use of coloring,and his paintings have played a role in the rise and fall of flower and bird paintings in the late Ming and early Qing dynasties,and also have a profound impact on later generations of painting.This paper will combine the coloring theory in Yun Shouping's paintings and postscript to study its coloring characteristics,explore the influence of sketching and copying on its coloring style characteristics,and briefly analyze its influence on later generations.

关 键 词：恽寿平 色彩理念 

分 类 号：J21[艺术—美术]