秩序异托邦:摩尔诗歌的空间解读  

Heterotopia of Order:A Spatial Interpretation of Marianne Moore's Poetry

作　　者：吴林凯 黄晓燕 Wu Linkai;Huang Xiaoyan(School of Foreign Languages,Hunan University,Changsha 410082,China)

机构地区：[1]湖南大学外国语学院

出　　处：《当代外国文学》2023年第2期5-12,共8页Contemporary Foreign Literature

基　　金：国家社科基金一般项目“美国现代诗声音诗学研究”(21BWW065)的阶段性研究成果。

摘　　要：美国现代派诗人玛丽安·摩尔擅长将空间现代性转化为诗歌美学,其“反诗”特质别具一格。本文借鉴列斐伏尔空间三元论和福柯异托邦思想,探究摩尔空间诗学,揭示现代性与“反诗”形式之间的同构关系。诗人通过异托邦书写重构自然空间的现代秩序、构筑城市空间“互动的和谐”、生成现实与想象完美结合的诗性空间。摩尔“情感的努力”颠覆式再现碎片化社会现实,以异托邦他者视角审视现代生活,结合“反诗”形式展演并反思现代性文化,充分体现以诗歌重构秩序的美学理想及对现代人精神境况的关切。The American modernist poet Marianne Moore was skilled in transforming spatial modernity into poetic aesthetics.In light of Lefebvre's space theory and Foucault's idea of heterotopia,this article explores Moore's spatial poetics to reveal the isomorphic relationship between modernity and her unique anti-poetic poetry.By representing different heterotopias,Moore reconstructs the order of natural spaces,establishes harmonious urban spaces and creates poetic spaces with her perfect fusion of reality and imagination.Her“efforts of affection”reproduce fragmented living spaces in a subversive way,imitating and reflecting the culture of modernity from the perspective of heterotopia,which expresses her aesthetic ideal of reshaping order through poetry and her concern with the spiritual crisis of modern society.

关 键 词：玛丽安·摩尔 秩序异托邦 空间解读 

分 类 号：I712.072[文学—其他各国文学]