技术与观念:声默更迭时期的国产电影声景考辨  

Technology and Ideas:A Study of Soundscapes in Early Chinese Film during the Transition from Silent Film to Sound Film

作　　者：聂佳[1] NIE Jia(School of Television Arts,Communication University of Zhejiang,Hangzhou 310018)

机构地区：[1]浙江传媒学院电视艺术学院,杭州310018

出　　处：《文化艺术研究》2023年第3期91-101,116,共12页Studies in Culture and Art

基　　金：浙江省哲学社会科学规划后期资助课题“中国电影声音发展研究”(项目编号:23HQZZ27YB)的阶段性成果。

摘　　要：关于中国早期电影的声音,当下存在两种不同的意见:一种认为国产片经历了漫长的无声时期,有声电影才姗姗来迟;一种认为声音在电影的成长道路上从未缺席。聚焦于声默更迭时期的中国早期电影声音传播景观,可以从无声与有声之争、无声的有声化呈现、声音的意识觉醒三个阶段,审视技术与美学观念的异步发展过程,站在历史角度上认识早期电影视听语言体系的言语逻辑和传播路径。There are mainly two opinions regarding the sound in early Chinese film.Some believe there was a long period ruled by silent film before the introduction of sound film,while others argue that sound film showed up at the beginning of Chinese cinema.Focusing on the soundscapes of early Chinese film during the transition from silent film to sound film,this study examines the asynchronous development of Chinese film's technology and aesthetics through three stages:the debate between silence film and sound film,the reinterpretation of silence film by sound,and the awakening of the consciousness of sound.This article aims to understand the linguistic logic and transmission pathways of early Chinese film's audiovisual language system from a historical perspective.

关 键 词：中国早期电影 声音观念 声音景观 

分 类 号：J915[艺术—电影电视艺术]