中世纪感觉史的理论、实践与展望  

Engaging in the Medieval Sensory History:Theory,Practice,and Perspective

作　　者：董子云 Dong Ziyun

机构地区：[1]浙江大学历史学院,310058

出　　处：《史学理论研究》2023年第3期123-133,160,共12页Historiography Bimonthly

摘　　要：20世纪80年代以来,感觉史研究日益成为国际史学界的一个热点。在大卫·豪斯和康斯坦丝·克拉森等学者的努力下,感觉史有了初步的理论基础。根据他们提出的理论框架,感觉史即是对感觉的社会文化史研究。感觉史考察感觉模式和感觉秩序的变迁与多样性,注重多感觉性而非单个感觉的研究。具体到西欧中世纪史而言,宗教和文学中的五感主题是感觉史研究所集中的领域;但学界的关注点也正逐步从感觉理论转向经济生活和社会文化中的感觉。目前,中世纪感觉史研究已经初具规模,但也有走向马克·史密斯所说的“苍白化”风险。对此,未来的研究者不妨以中世纪经济社会史、政治文化史和法律文化史为切入点,推动感觉史研究进一步走向深入。Since the 1980s,the study of sensory history,or history of the senses,has increasingly attracted much attention in the international scholarly community.Thanks to the efforts of scholars such as David Howes and Constance Classen,sensory history is now grounded with a theoretical foundation.According to their theoretical framework,sensory history is essentially a sociocultural approach to the senses and sensoria in history.Sensory history focuses on the changes and diversities of emotional models and emotional orders,with a special emphasis on multi-sensoriality rather than single sensory.Specifically with regard to the history of medieval Western Europe,the theme of the five senses in theology and literature has been under intensive study.At present,the practice of medieval sensory history has been productive,but there is also the risk of its "etiolation".To avoid potential pitfalls and to deepen our understanding of the social and cultural significance of the senses,future researchers may need to combine sensory history with socioeconomic history,history of political culture,and history of legal culture.

关 键 词：感觉史 中世纪 五感 多感觉性 社会文化史 

分 类 号：K13[历史地理—历史学]