《海边的卡夫卡》的空间交融与自我建构  

Fusion of Space and Self-construction in“Kafka on the Shore”

作　　者：邹建军[1] 甘小盼 ZOU Jian-jun;GAN Xiao-pan

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《中南民族大学学报（人文社会科学版）》2023年第6期139-147,187,共10页Journal of South-Central Minzu University (Humanities and Social Sciences)

摘　　要：村上春树在小说《海边的卡夫卡》中构筑了“家”“图书馆”和“彼世界”三个独立空间,暗示田村卡夫卡构建自我的三个阶段。第一阶段,田村离开空洞的“家”走向饱满的“海”,暗示了他个体意识的觉醒。第二阶段,田村进入甲村图书馆,在书籍中获取对抗世界的能力与勇气,对自我进行了更深的视察。第三阶段,在“彼世界”中,田村由死而生的经历使他最终成为了世界这个大空间的内部,最终建立了完整的自我意识。通过糅合内部世界的空虚和外部世界的充裕,田村完成了自我意识的建构。村上春树在《海边的卡夫卡》中,强调了个体与外部世界之间作为“己”与“彼”的关联,展现了意识世界与现实世界内外一体的世界观。In his novel Kafka on the Shore,Haruki Murakami constructed three independent spaces,namely“home”,“library”and“the other world”,suggesting the three stages of Kafka Tamura's self-construction.In the first stage,Tamura left the empty“home”and went to the full“sea”,indicating the awakening of his individual consciousness.In the second stage,Tamura entered the Komura Library,acquired the ability and courage to fight against the world in books,and conducted a deeper inspection of himself.In the third stage,in“the other world”,Tamura’s experience of being born from death makes him finally become the“interior”of the big space of the world,and finally establish a complete self-consciousness.Through the integration of the emptiness of the inner world and the abundance of the outer world,Tamura completed the construction of self-consciousness.In Kafka on the Shore,Haruki Murakami emphasizes the relationship between individuals and the outside world as“self”and“other”,and shows the world view that the conscious world and the real world are integrated from inside to outside.

关 键 词：村上春树 《海边的卡夫卡》 地理空间 自我意识 

分 类 号：I313.4[文学—其他各国文学]