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作 者:饶曙光 RAO Shuguang
机构地区:[1]中国电影评论学会
出 处:《中国文艺评论》2023年第5期4-16,I0002,共14页China Literature and Art Criticism
摘 要:新时代以来,现实主义电视剧创作回潮,并在作为一种方法的现实主义的内部实践中不断升华与深化。以《人民的名义》《狂飙》等新时代现实主义电视剧中的反面人物塑造来说,通过对性格善面的建构、性格的反向转化及其悲剧命运的流溯式再现,反面人物相比正面人物,其人物性格更加饱满化、立体化、生活化,更具复杂性,也更具人情味和毛边感;总的来说,其人物性格由单一性走向二重性乃至多重性,并在性格结构上集中体现为“善恶同体”或者说“美恶并举”的二重组合。这种由“人物性格的二重组合”带来的人格二重性以及由此带来的作品在创作与接受上的二律背反,就其本质而言,反映出现实主义本身在认知与审美即在认识论与美学之间的二律背反。鉴于新时代现实主义电视剧在人物塑造上所呈现出的审美新变,重提一种“毛边现实主义”对当下现实主义文艺创作具有方法论层面的启迪意义。同时,也要警惕由反面人物性格复杂性所带来的善恶含混的问题,由此得出,保持一种正向的创作立意十分关键,这是新时代电视艺术工作者坚守人民立场、坚持以人民利益作为创作标准的重要体现。Since the advent of the New Era,the creation of realistic TV plays in China has made a comeback and has been sublimated and deepened in the internal practice of realism as a creative method.In the case of the portrayal of negative characters in the New Era realist TV plays such as In the Name of the People and The Knockout,through the construction of the good aspect of character,the reverse transformation of character and the retrospective reproduction of their tragic fate,the negative characters are fuller,more three-dimensional,more lifelike,more complicated,and also with more humane and raw-edge sense than the positive characters.In general,the characters’personalities move from singularity to duality or even multiplicity,and the character structure focuses on the dual combination of“good and evil in one body”or“beauty and evil in one body”.This duality of personality brought about by the“double combination of character”and the resulting antinomy in the creation and reception of works reflect,in essence,the antinomy between cognition and aesthetics,that is,between epistemology and aesthetics,of realism itself.In view of the new aesthetic changes presented in the characterization of realistic TV plays in the New Era,it is of methodological significance to reintroduce a kind of“raw-edge realism”for the creation of realistic literature and art nowadays.At the same time,it is also necessary to be alert to the problem of ambiguity between good and evil brought about by the complexity of the antagonist’s character,thus concluding that it is crucial to maintain a positive creative intention,which is an important embodiment of the New-Era television artists’adherence to the people’s position and the people’s interests as the standard of creation.
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