秦观“以诗为词”辨  

Discernment in“taking poems as Ci-poems”of Qin Guan

作　　者：李嘉鑫 LI Jiaxin(School of Liberal Arts and Law,Henan Polytechnic University,Jiaozuo,Henan,454150,China)

机构地区：[1]河南理工大学文法学院,河南焦作454000

出　　处：《豫章师范学院学报》2023年第3期35-39,共5页Journal of Yuzhang Normal University

摘　　要：北宋中期,以苏轼为代表的元祐词人对词进行了“破体”改造,将诗歌创作的题材风格引入词中,提高了词的抒情特质,推动了词的诗化.论及秦观,世人总认为其词仍固守在幽妍婉丽、哀感顽艳的创作天地,忽视了秦观作为苏轼最得意的门生,对其师苏轼“以诗为词”的借鉴和发展.事实上,“以诗为词”的创作方法在秦词中多有体现,秦词在用典、议论、言志等方面与元祐词人的“破体”改造殊途同归.这种现象与词学在北宋时期的历史发展状况密切相关.In the middle of the Northern Song Dynasty.Yuanyou poets represented by Su Shi reformed the style of Ci poetryl and introduced the theme style of poetry creation into Ci poetry,improved the lyric characteristics of Ci poetry and promoted thel poetization of Ci poetry.As far as Qin Guan is concerned.people always think that his Ci is still stuck in the creative world of beautiful and sad,ignoring Qin Guan's reference and development of Su Shi's Taking poems as Ci-poems'as Su Shi's mostl Proud student.In fact.the creation method of taking poetry as Ci'is embodied in Qin-Ci.Qin Guan's Ci Poems and Yuanyoul Ci Poems Breaking Style in Using allusions-arguments and speeches are the same.and is closely related to the historical develop-ment of Ci in the Northern Song Dynasty.

关 键 词：秦观 “以诗为词” «淮海词» 

分 类 号：I206.2[文学—中国文学]