舞蹈剧场空间中的“物”表演  

Performance of “Things” in Dance Theater Space

作　　者：岳路鹏 YUE Lu-peng(The College of Literature and Journalism,Sichuan University,Chengdu 610207,China)

机构地区：[1]四川大学文学与新闻学院,成都610207

出　　处：《北京舞蹈学院学报》2023年第2期99-106,共8页Journal of Beijing Dance Academy

摘　　要：在剧场空间的演出形式中,无外乎存在着两种表演的实体:一种是以人为主体,而另一种是区别于人的非人的物。在一场演出活动中,表演的主体应为活生生的演员——人,常处于主要的、中心的、支配性的位置,尤其是舞蹈这门以人的身体为本体的艺术形式,更加突出人的主体性,相较于人的存在的那些非人的“物”则时常处于配角地位,被认为是次要的、边缘性的、从属性的。但随着剧场演出形式的不断革新,表演主体也会随着剧场演出形式的变化不断延异,表演者的属性(人性和物性)也时刻浮动,甚至也会出现人、物难辨的奇特景观。在剧场空间中“物性”也是重要的表演环节之一,作为演出主体,是不可被忽视的,甚至连接着观者与演出主体间的情感共鸣。文章由舞蹈剧场中“物”的存在形式来讨论舞蹈剧场中的“物”如何被感知,从而强调当“物”成为舞蹈剧场表演空间中的主体时的意义,不再将剧场之物作为表演艺术观念中的“道具”——为演出的次要工具,将其由“具”还原为“物”,重新开启舞蹈剧场空间中“物”表演的新思考和新研究。In the performing form of theater space,there are two kinds of performing entities:one is the human subject,and the other is the non-human thing which is different from human existence.It is generally believed that in a performing activity,the main body of the performance should be a living actor – a human,who is often in the main,central,and dominant position,especially in dance,an art form based on the human body,which highlights human subjectivity.Compared with human existence,those non-human “things” are often the supporting roles and regarded as secondary,marginal,and subordinate.However,with the continuous innovation of theatrical performing forms,the subject of performance will continue to evolve with the changes in their forms and the attributes of the performers(human nature and material nature) will also change from time to time,and even there will be strange landscapes where people and things are difficult to distinguish.We must also recognize that “materiality” is also one of the important performance parts in the theater space and as the main body of the performance,it cannot be ignored,and it even connects the emotional resonance between the audience and the performing subject.Therefore,this paper starts from the existing form of “things” in the dance theater to discuss how “things” in the dance theater are felt,so as to emphasize the significance of “things” when they become the subject in the performing space of the dance theater.It no longer regards the things in the theater as the “props” in the concept of performing arts-as the secondary tools of performance,yet restores them from “objects” to “things”,and carries out the new thinking and research on the performance of “things” in the dance theater space.

关 键 词：舞蹈剧场 物 表演空间 剧场化 

分 类 号：J711[艺术—舞蹈]