中国文艺片文人意识的生成与传承  

The Generation and Inheritance of Literati Consciousness in Chinese Literary Film

作　　者：祝明杰 ZHU Mingjie(Shanghai Film Academy,Shanghai University,Shanghai 200072,China)

机构地区：[1]上海大学上海电影学院,上海200072

出　　处：《上海大学学报（社会科学版）》2023年第4期54-65,共12页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金艺术学重大项目(2020ZDA031)。

摘　　要：中国文艺片民族美学形成的历史也是中国文人主体意识觉醒的历史。中国文人的身份虽然历经变化,但文艺片的发展始终和文人意识的传承交织在一起。以中国文艺片的发展历史、中国文人意识的觉醒和身份的变迁互为参照系,能够剖析文艺片发展面临尴尬境地的深层原因,并以电影文本中的文人意识为视角,以便找寻中国文艺片创作的出路。中国文艺片的创作既要坚持自我抒写的意境之美、底层情怀、家国忧思的文化品味,又要实现“剑走偏锋”思维的转向。The history of the formation of national aesthetics of Chinese literary film is also the history of Chinese literati’s awakening of subject consciousness.Despite the changing identity of Chinese literati,the development of literary film has always been interlinked with the inheritance of literati consciousness.An interlinking review of the history of Chinese literary film,the awakening of Chinese literati consciousness,and the changing identity of Chinese literati,reveals the underlying reasons for the predicaments faced by Chinese literary film in the course of its development.The perspective of literati consciousness in film texts is adopted to find ways out for the creation of Chinese literary films.It is essential for Chinese literary film to adhere to the cultural traditions of good artistic conception,bottom narration,and patriotic feelings in self expressions while changing the way of thinking towards“achieving success with novelty”.

关 键 词：中国文艺片 中国文人 文人意识 生成与传承 

分 类 号：J90-02[艺术—电影电视艺术]