试论当代喜剧小品的固本与创新  

On the Consolidation and Innovation of Contemporary Comedy Sketches

作　　者：谢旭慧[1] 程正野 XIE Xuhui;CHENG Zhengye(School of Literature and Journalism,Shangrao Normal University,Shangrao Jiangxi 334001,China;Faculty of Humanities and Arts,Macao University of Science and Technology,Macao 999078,China)

机构地区：[1]上饶师范学院新闻与传播学院,江西上饶334001 [2]澳门科技大学人文艺术学院,中国澳门999078

出　　处：《上饶师范学院学报》2023年第2期94-99,共6页Journal of Shangrao Normal University

基　　金：江西省社会科学基金项目(21WX11)。

摘　　要：戏剧性、电视性、喜剧性、本土性、经济性、平民性是喜剧小品的固有属性。随着电视喜剧真人秀走红,当下的喜剧小品正在本体论的层面改变存在方式和体验方式。喜剧小品的“变脸”引发了其艺术身份的不确定性和所涉边界的不稳定性的诘问。面对全球化语境下的技术革命与媒介创新,喜剧小品要走进“轮廓重绘”的新时代,首先,必须固守戏剧性,从戏剧舞台表演艺术的发展中谋求传承与创新;坚守本土性,从中华民族的喜剧宝库中汲取精华营养;其次,应当坚持“经济性”与“平民性”,从“小而耐品”的本质属性上探索永葆青春的生命秘诀;再次,努力超越电视性,从传播媒介上开拓“剧场+电视+网络”的全新立体传播模式。Drama,television,comedy,localization,economy,and commonality are the inherent attributes of comedy sketches.With the popularity of TV comedy reality shows,the current comedy sketch is changing the way it exists and experiences at the ontological level.The"face-changing"of comedy sketches raises questions about the uncertainty of its artistic identity and the precariousness of the boundaries involved.In the face of worldwide technological revolution and media innovation,if comedy sketch wants to enter a new era of"contour redrawing",it needs to observe the following:firstly,sticking to drama,seeking inheritance and innovation from the development of dramatic performing arts on the stage;secondly,adhering to the localization and drawing the essence and nutrition from the treasure house of comedy of the Chinese nation;thirdly,adhering to"economy"and"commonality",and exploring the secret of life for eternal youth from the essential attribute of"small but durable";fourthly,going beyond television and developing a new three-dimensional communication model of theater+television+Internet from the media.

关 键 词：喜剧小品 电视真人秀 本质属性 创新发展 

分 类 号：J827[艺术—戏剧戏曲]