崔庆昌汉诗研究  

On Choi Gyong-chang’s Korean Chinese Poetry

作　　者：孙娜 SUN Na

机构地区：[1]延边大学文学院,吉林132013 [2]北华大学文学院

出　　处：《北华大学学报（社会科学版）》2023年第3期115-127,155,共14页Journal of Beihua University(Social Sciences)

基　　金：吉林省哲学社会科学规划基金项目“东北亚走廊视域下明清吉林纪行文学研究”(2022B185)的阶段性研究成果。

摘　　要：崔庆昌与李达、白光勋合称“三唐诗人”,其诗学主张是全面宗唐。他的学习对象是唐诗整体,对整个唐王朝时期的唐诗都进行了学习模仿。他提倡率性直白的情感表达,重视诗歌的音乐性;其诗歌风格整体偏向于中晚唐的清苦,又带有边塞诗的刚劲;其诗境清澈澄明,诗意清新自然。崔庆昌虽没有诗学理论流传于世,但他的创作实践对朝鲜朝中期汉诗转向全面宗唐产生了重要影响。Choi Gyong-chang,Yi Dal and Baek Gwang-hun are collectively referred to as the Sam Dang poets,and their poetic philosophy advocates comprehensive adherence to the Tang Dynasty.He studied Tang poetry as a whole and imitated Tang poetry throughout the entire Tang Dynasty period.He advocated for straight forward emotional expression and values the musicality of poetry;The overall style of his poetry leans towards the hardships of the mid to late Tang Dynasty,while also carrying the strength of frontier poetry;His poetic ambiance is clear,and his poetic meaning is fresh and natural.Although Choi Gyong-chang did not have a poetic theory circulating in the world,his creative practice had a significant impact on the transition of Han poetry in the middle of the Korean Dynasty to a comprehensive Tang dynasty.

关 键 词：崔庆昌 三唐诗人 朝鲜朝 汉诗 宗唐 

分 类 号：I106.2[文学—世界文学]