新中国成立初期京津画派转型研究  

Research on the Transformation of Beijing Tianjin PaintingSchool in the Early Stage of the Founding of New China

作　　者：刘阔 LIU Kuo(School of Design and Art,Beijing Institute of Graphic Communication,Beijing 102600,China)

机构地区：[1]北京印刷学院设计艺术学院,北京102600

出　　处：《北京印刷学院学报》2023年第7期46-49,共4页Journal of Beijing Institute of Graphic Communication

摘　　要：近现代国画革新思潮肇始于20世纪初叶的新文化运动。1942年,毛泽东在《在延安文艺座谈会上的讲话》中系统地总结了新文化运动以来的革命文艺运动的经验,对中国文艺运动的根本问题进行阐释。新中国文艺政策为中国画的转型革新确立了方向。以北京为核心的京津画派,作为传统画派的重镇,其转型历程具有特殊的地缘特点,以承古开今的方式创造性地完成了现代化转型。京津画派转型革新的历程,印证了中国现代文艺繁荣的根本前提是中国共产党的领导,中国共产党对民族艺术的发展具有巨大推进作用。The innovation trend of modern Chinese painting began with the New Culture Movement in the early 20th century.In 1942,Mao Zedong's Speech at the Yan􀆳an Literature and Art Symposium systematically summarized the experience of the revolutionary literature and art movement since the New Culture Movement,and explained the fundamental issues of the Chinese literature and art movement.New China's literary and artistic policies have established the direction for the transformation and innovation of Chinese painting.The Beijing Tianjin Painting School,with Beijing as its core,is an important town of traditional painting schools.Its transformation process has special geographical characteristics,and has creatively completed the modernization transformation in a way that inherits the past and opens up the present.The process of transformation and innovation of Beijing Tianjin Painting School has confirmed that the fundamental prerequisite for the prosperity of modern Chinese literature and art is the leadership of the CPC,and the CPC has a great role in promoting the development of national art.

关 键 词：新中国 京津画派 转型 

分 类 号：J209.9[艺术—美术]