西方范式下的中国古典诗歌阐释——论苏源熙《诗序》汉学研究的启示  

Interpret Classical Chinese Poetry on the Western Paradigm:Haun Saussy's Study on the Prefaces

作　　者：李宇舒 Li Yushu

机构地区：[1]复旦大学中文系

出　　处：《理论界》2023年第6期87-93,共7页Theory Horizon

摘　　要：苏源熙的研究以独特的汉学家视角切入中国古典文本,对《诗经》与《诗序》进行了讽寓性解读,论述了中西诗学的可通约性,结合西方理论与中国文本阐释了“中国讽寓”与“中国的反讽理论”。苏源熙解构了黑格尔的术语与理论,将其扭转为中国美学式历史的论述逻辑:中国以非艺术的方式产生了艺术,以非历史的美学呈现了自身的历史。其研究使用了广阔的跨文化与跨学科的视角,具有新颖的启发性,在海外《诗序》研究进程上呈现独特的贡献。Haun Saussy,as a sinologist,studied classical Chinese poetry with a unique perspective,providing the allegorical reading on Shih ching(the Book of Odes)and the Prefaces.He interpreted the commensurability between Chinese and Western poetics,and defined Chinese allegory and Chinese irony.Haun Saussy deconstructed Hegel's terms and theories,which were reversed into a logical argument that China creates Chinese art in a non-artistic way and presented Chinese history in a non-historical aesthetics.Using the crosscultural and interdisciplinary perspective,his challenging and inspiring study has made contributions to the overseas studies of Shih ching and the Prefaces.

关 键 词：苏源熙 汉学 诗经 诗序 讽寓 

分 类 号：I206[文学—中国文学]