从中国画道家美学思想浅析蓝印花布的设计美学  

The Analysis of the Design Aesthetic of Blue-Dying Cloth from the Aesthetic Thoughts of Chinese Painting

作　　者：田源[1] TIAN Yuan(Shandong University of Art and Design,Jinan 250014,China)

机构地区：[1]山东工艺美术学院,山东济南250014

出　　处：《鞋类工艺与设计》2023年第12期6-8,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：蓝印花布是一种中国独有而历史悠久的精美的纺织工艺品,其中浸透着中华民族的文化精神和审美意识,富有鲜明的美学意境。蓝印花布作为以实用为主体的民间工艺美术,不仅满足了生产者的自身需要也遵循了实用、审美一体的基本原则,道家文化从多个方面深刻影响了中国画的艺术创作,在色彩上,崇尚自然讲求“冲淡”“朴素”;在构图上讲求“生生不息”“虚实相生”;在观念上讲求“天人合一”“物我相融”。在道家美学思想的影响下,从蓝印花布的图案中可以看到中国画中的“天趣”“古拙”“和谐”,别具韵味。Blue-dying cloth is a kind of exquisite textile handicraft of China with a long history,which is steeped in the national culture spirit and aesthetic consciousness,and full of distinct aesthetic conception.As a folk handcraft based on practicality,blue-dying cloth not only meet the needs of producers but also follow the basic principle of integrating practicality and aesthetics.Taoist culture has deeply influenced the artistic creation of Chinese painting from many aspects.In terms of color,it advocates nature and stresses“dilution”and“simplicity”.In the composition of the emphasis on“endless life”and“virtual reality”;In the concept of“harmony between nature and man”and“integration of things and myself”.Under the influence of Taoist aesthetic thoughts,the patterns of blue-dying cloth can be seen in Chinese paintings of“heavenly interest”“ancient and clumsy”and“harmony”,which has unique charm.

关 键 词：道家 美学 中国画 蓝印花布 图案设计 

分 类 号：J509.2[艺术—艺术设计]