乡村振兴视域下贵州苗族蜡染艺术现代化转型研究  

Research on the Modernization and Transformation of Miao Nationality Batik Art in Guizhou under the Perspective of Rural Revitalization

作　　者：田雨 TIAN Yu(Guangxi Normal University,Guilin 541000,China)

机构地区：[1]广西师范大学,广西桂林541000

出　　处：《鞋类工艺与设计》2023年第12期81-83,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：贵州蜡染散发着质朴清新的魅力,是传统工艺与超现实图案的完美结合。经过漫长的社会历史变迁,贵州蜡染也逐渐形成了富有民族个性特征以及艺术语言定式。乡村振兴战略的提出将会更好地促进农村经济发展和人们的生活水平,蜡染艺术应顺应趋势,进行现代化创新转型。文章阐述在乡村振兴战略视域下,苗族蜡染艺术的现代化转型的必要性以及创新途径,为蜡染艺术的发展提供更多新思路。Guizhou batik printing exudes a rustic and fresh charm,a perfect combination of traditional craftsmanship and surreal patterns.After long social and historical changes,Guizhou batik has gradually formed rich national characteristics and artistic language stereotypes.The proposal of rural revitalization strategy will better promote the development of rural economy and people's living standards.Batik art should conform to the trend and carry out modernization and innovation transformation.This paper expounds the necessity of modernization transformation and innovative ways of Miao batik art from the perspective of rural revitalization strategy,in order to provide more new ideas for the development of batik art.

关 键 词：苗族蜡染 现代化转型 乡村振兴 

分 类 号：J524[艺术—艺术设计]