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作 者:赵勇[1,2] Zhao Yong
机构地区:[1]北京师范大学文艺学研究中心,北京100875 [2]北京师范大学文学院,北京100875
出 处:《四川大学学报(哲学社会科学版)》2023年第4期33-42,190,共11页Journal of Sichuan University:Philosophy and Social Science Edition
摘 要:网络文学生产的基本法则是快与量,即网络写手日更不辍,越写越长,唐家三少即是典型代表。他每小时写八千多字,写作速度非常惊人。与之相对应,传统文学生产则追求慢与质,路遥写作《平凡的世界》便是一个著名案例。为了完成这部百万字的“巨著”,他先是经过三年左右读书、翻报纸、让生活重新到位的精心准备,然后又用三年时间艰苦写作,甚至为此付出了自己的身体健康和生命。网络写手惊人的生产性,主要原因在于他们在写作时可以信马由缰,同时电子书写也给他们带来了极大的便利。而更深层的动因则是经济利益,因为只有写得长,粉丝的粘附度才会高,订阅量才会大。而高粘附度与大订阅量又直接提升了网站的流量,流量一上去,某个写手或某部作品才会被资本投以青眼。而由于资本渴望加速,所以网络文学的生产、流通、传输、消费也就全部处于高速运转之中,成了阿多诺所说的杀婴行动:用新产品扫荡市场,再把新产品逼进坟墓。The basic principle of network literature production is fleetness and quantity,that is,internet writers keep posting daily and writing longer and longer.Tang Jia San Shao is a typical representative,writing with an astonishing speed of over 8,000 words per hour.Back in 2016,he had set a record of writing more than 160 books of 40 million words,with 130 consecutive months of daily serialization without disruptions.In contrast,traditional literary production pursues slowness and quality,a famous case being Lu Yao's writing of The Ordinary World.In order to complete this million-word“masterpiece”,he first meticulously prepared for about three years by reading books,flipping through newspapers,putting his life back in place,and then spent another three years of painstaking writing,at the cost of his own health and even his life.The reason for this difference is that Lu Yao writes traditional realistic novels,while Tang Jia San Shao writes fantasy novels.Realism requires writers to precisely narrate and delicately describe everything according to the original appearance of life,which is difficult and demanding.However,authors of fantasy novels are free to let their imagination unwind,so much so that their writing has a sense of Surrealism.On the other hand,writers in the 1980s were still“crawling through the grid,”working as slash-and-burn with traditional writing tools:pen and ink,while the amazing productivity of network writers benefits from the great convenience brought to them by electronic writing.Of course,the underlying motivation for the network literature production s“race and rush”is still economic interests.Because only by writing long,the adhesion of fans will be high,and subscriptions will be large.The high adhesion and large subscriptions directly increase website traffic.As soon as the traffic increases,a certain writer or work will be favored by capital.And because capitalism is continuously accelerating the production of human consumption needs and desires,the cycle of consumption is gett
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