《六一诗话》所见晚唐诗学观及其影响  

On the Late Tang Poetics Embodied in Liuyi Shihua and Its Influence

作　　者：王媛 WANG Yuan(School of Humanities,Wenzhou University,Wenzhou,Zhejiang 325035,China)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《河北北方学院学报（社会科学版）》2023年第2期1-4,9,共5页Journal of Hebei North University：Social Science Edition

摘　　要：欧阳修《六一诗话》开创了以笔记体论诗的先河,这一新的诗学批评文体成为宋代诗坛重要的论诗形式。同时,《六一诗话》始终贯彻了欧阳修的诗学理论,并提出“白乐天体”与“西昆体”两诗学术语,虽未明确提出“晚唐体”,但通过《六一诗话》对晚唐之时期界定、代表诗人及诗歌风格的批评等相关记述,仍可知欧阳修的晚唐诗学观。这一诗学观影响了后世的诗学理论,且关于晚唐诗学的评点大多可追溯至《六一诗话》。Liuyi Shihua by Ouyang Xiu created a new style of critique of poetry in the form of notes,which became an important form of poetic critique in the Song Dynasty.Ouyang Xiu’s poetic theories were embodied in Liuyi Shihua,in which the two poetic terms of“Bai Letian Style”and“Xikun Style”were explicitly defined,but the term“the Late Tang Style”was not definitely mentioned.However,Ouyang Xiu’s poetics of the Late Tang can also be traced in Liuyi Shihua according to relevant records of the definition of the period of the Late Tang,the representative poets and the poetic styles.The poetics of Ouyang Xiu has an influence on later poetics and most of the comments on the Late Tang poetics in later generations can be traced back to Liuyi Shihua.

关 键 词：欧阳修 《六一诗话》 晚唐诗学 

分 类 号：I207.22[文学—中国文学]