包山二号墓漆画中的楚国婚礼服饰  

Wedding dress of Chu state in the lacquer painting of tomb No.2 in Baoshan

作　　者：吕冠阳 刘欢 王柯 LYU Guanyang;LIU Huan;WANG Ke(School of Fashion,Wuhan Textile University,Wuhan 430073,China)

机构地区：[1]武汉纺织大学服装学院,湖北武汉430073

出　　处：《纺织高校基础科学学报》2023年第3期67-74,共8页Basic Sciences Journal of Textile Universities

基　　金：国家社科基金冷门绝学与国别史研究专项(19VJX174);湖北省高等学校省级教研项目(2021331);湖北省教育科学规划重点课题(2021GA032)。

摘　　要：为厘清包山二号墓漆画的人物服饰款式特征等相关问题,先对包山二号墓漆画的图像信息进行解读,认同其为楚“婚礼亲迎说”。进而,以包山二号墓漆画中的人物服饰为研究对象,采用图像与文献互证的方法,结合出土实物资料,分析楚人在纳采、纳吉、相会、亲迎等婚礼仪节流程中不同人物角色的服饰品类。研究认为,楚国婚礼服饰呈现出款式纤秀轻丽、服饰崇尚简洁质朴、服饰等级制度分明等特征。In order to clarify the issues related to the costume style of characters in the lacquer paintings excavated from tomb No.2 in Baoshan,firstly,the image information of the lacquer paintings excavated from tomb No.2 in Baoshan was analyzed,and identifies it as the "wedding ceremony" of Chu people.Then,taking the lacquer paintings excavated from tomb No.2 in Baoshan as the study object,the costume categories of different characters in the wedding rituals of the Chu people such as betrothal gifts presenting,engagement date noticing,meeting of families,bride escorting were analyzed based on evidences of images,documents,and the excavated materials.It is concluded that the wedding costumes of the Chu State people are characterized by slender and light styles,simple design,and a clear hierarchy.

关 键 词：包山二号墓 漆画 楚国 婚礼服饰 特征 

分 类 号：J523.5[艺术—艺术设计]