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作 者:吕畅[1] Lu Chang
出 处:《音乐文化研究》2023年第2期7-17,共11页Music Culture Studies
基 金:2020年度教育部人文社会科学研究规划基金项目“南宋蔡元定音乐著述整理与研究”(项目编号:20YJA760054)研究成果。
摘 要:南宋蔡元定的音乐著作尚未得到全面的搜集与整理。据宋元史籍著录,除了传世的《律吕新书》与部分留存于《宋史》的《燕乐》之外,蔡元定应当还有《大乐之书》《琴律吕律图》两种音乐著述。《宋史·乐志》所引《律吕新书》的版本早于传世单行本的祖本元代《朱子成书》本,体现了元代以前《律吕新书》的早期面貌,应当受到重视。据朱熹、蔡元定音乐书信等材料,蔡元定在朱熹《琴律说》的撰述过程中曾起到较为重要的作用。朱、蔡音乐著述具有互补性质。The musical works of Cai Yuanding of the Southern Song dynasty have never been fully collected and collated.According to the Song and Yuan dynasty historical records,in addition to Lili Xinshu and Yanyue which partially survives in the Song Shi,Cai Yuanding must have written the other two musical works-Dayue Zhi Shu and Qin Luli Tu.The edition of Luli Xinshu cited in the Song dynasty is earlier than the ancestral Yuan dynasty edition of Zhuzi Cheng Shu and represents the early version of Lili Xinshu before the Yuan dy-nasty,which should be taken seriously.According to Zhu and Cai's musical correspondence and other materials,this article argues that Cai Yuanding played an important role in the writing of Zhu Xi's Qin Li Shuo.Zhu and Cai's musical writings are complementary to each other.
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